Ridley Scott is doing a Blade Runner sequel

jkottke:

In this interview with The Daily Beast, Ridley Scott reveals that he’s currently working on a sequel to Blade Runner.

Funny enough, I started my first meetings on the Blade Runner sequel last week. We have a very good take on it. And we’ll definitely be featuring a female protagonist.

I want to believe.

prior winner

ringtales:

darling, did you ever get your book?

Not yet; waiting in anticipation. I suspect it will take 2 to 3 weeks — I intended to let you know when I did of course! (Blush she called me darling! )

Blade Runner opening sequence (FX Storyboards)

(via giggomachine)

jeffdtaylor:

Douglas Coupland, I MISS MY PRE-INTERNET BRAIN (from Slogans for the Early Twenty-First Century), 2012. Edition of 25.


OMG how I love Douglas Coupland

jeffdtaylor:

Douglas Coupland, I MISS MY PRE-INTERNET BRAIN (from Slogans for the Early Twenty-First Century), 2012. Edition of 25.

OMG how I love Douglas Coupland

(via confessionsofamichaelstipe)

Welcome to Life® (via The daily irrelevant » ) Related: The shitty singularity

Tempted to buy these for my family of 4 W K Studio — T-Shirts. Thanks @eelcovoogd

Tempted to buy these for my family of 4 W K Studio — T-Shirts. Thanks @eelcovoogd

motherjones:

ukinusa:

London 2012 mascots Wenlock and Mandeville visit the Washington Monument in DC (Taken with instagram)

No, seriously, where are the real mascosts?

motherjones:

ukinusa:

London 2012 mascots Wenlock and Mandeville visit the Washington Monument in DC (Taken with instagram)

No, seriously, where are the real mascosts?

Even the 2012 cartoon mascots, Wenlock and Mandeville, have the notion of surveillance built into their design. Wenlock and Mandeville are two slightly different-shaped silver blobs, meant to be drops of steel taken “from the last huge girder of the Olympic Stadium.” Each of their faces is taken up entirely by a single eye, which is meant to be a camera lens. The packaging for the plush-toy versions of both figures explains, “My single eye is like a camera letting me record everything I see.” (locog has also licensed toy versions of London bobbies and Buckingham Palace guards with camera lenses for faces.) Is the idea of giving children a surveillance toy, I asked Johnson, just a little creepy?

“Are you referring to Mandeville and Wenlock?” the mayor replied. “The thing that children up and down the country, indeed across the planet, are crying out to their parents to buy them for Christmas? Are you referring to our national icons as creepy? I think that’s—they will be, if they are not already, as cherished and as sought-after as—uh … Schtroumpfs. Or Smurfs. They are the Schtroumpfs du jour. They will be infinitely collectible. What to you is a creepy, monocular, Cyclopean android-type thing is to many children a lovable, hilarious, uh, individual—that will comfort them at night.”

“And watch them,” I said.

“And watch them,” he answered. “And look after them.”

Can London Afford the $14.5 Billion Price Tag of the Summer 2012 Olympic Games? | Culture | Vanity Fair (via iamdanw) wut?

(via slantback)

In my time working [at Apple], I must personally have seen years-worth, probably decades-worth (and, from afar perhaps even centuries-worth) of work simply discarded because it turned out not to be ‘right’ or ‘good’. This was done with very little animosity towards the people who did the work. There was a distinct difference between working on something that turned out bad and had to be discarded (fine - admirable, even) and doing bad work (bad)…I think this highlights two things that many other organisations would do well to learn. First, what you have is what it is, it’s not the effort that was put into it. If it’s not worth keeping, it’s not worth keeping. Second, if you want the best results, you need to give good people the room to start over without feeling like they are failing.
Jamie Montgomerie: Apple, Failure, and Perfect Cookies (via buzz) reasoning like this apple is worth every dollar it’s worth (huh? did that come out wrong?)
The best way to find out things, if you come to think of it, is not to ask questions at all. If you fire off a question, it is like firing off a gun; bang it goes, and everything takes flight and runs for shelter. But if you sit quite still and pretend not to be looking, all the little facts will come and peck round your feet, situations will venture forth from thickets and intentions will creep out and sun themselves on a stone; and if you are very patient, you will see and understand a great deal more than a man with a gun.
Elspeth Huxley (via criminalwisdom)
And Technology Review? We sold 353 subscriptions through the iPad. We never discovered how to avoid the necessity of designing both landscape and portrait versions of the magazine for the app. We wasted $124,000 on outsourced software development. We fought amongst ourselves, and people left the company. There was untold expense of spirit. I hated every moment of our experiment with apps, because it tried to impose something closed, old, and printlike on something open, new, and digital.

Why Publishers Don’t Like Apps - Technology Review

This is precisely what I’ve been saying for awhile now (see my interview with Pixel Union and my SXSW panel for examples). It seems insane to me that publishers today feel compelled to run complex native development efforts for multiple platforms, particularly when we’ve been developing an incredibly sophisticated abstraction for networked content delivery for nearly 20 years now: the web. I would argue that even within the tech industry proper, few traditionally web-oriented companies actually have the stomach for the complexity and comparatively long development cycles of first class native mobile development. If pure tech companies with the resources of Facebook are falling back to web-based or hybrid native/web approaches for their mobile apps, it’s unlikely that native development is a viable option for publishers.

(via buzz)

the final word on this afaic

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